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Guardian angel
Sidebar: A woman, a mission, a movie They called her "the angel" but she was not your typical heavenly messenger she was Twenty years ago, she was honored at Yad Vashem as a Righteous Gentile, a Polish woman who saved Jewish lives but also sheltered a German soldier during the war. "I'll help any people even if they're Germans," she once said, "as long as they're good people." Elizabeth native Judy Maltz, 45, feels a special connection to "the angel" because among the 15 Jews Francisca Halamajowa hid from the Nazis in her hayloft over the pigsty were Maltz's grandfather, Moshe Maltz; her father, "I always wanted to do something that would immortalize her, spread the word about her, this very compassionate woman," Maltz said. So Maltz a journalist and lecturer in journalism at the College of Communications at Penn State University is doing just that by making a documentary she calls On the Side of Angels. This month, Maltz, accompanied by members of the Maltz and Halamajowa families, and her fellow filmmakers Barbara Bird and Richie Sherman, will travel to Sokal, a small Ukrainian town that was once part of prewar Poland before the borders shifted. They will be looking for the small farmhouse where "the angel" lived most of her life. They will be guided in their search by an unusual relic, the diary her grandfather kept while he was hidden "not a memoir but an account in real time," Maltz said. The diary the original is in the Yad Vashem archives "is full of great detail about the Jews of Sokal and fabulous descriptions," said Maltz. She is hoping that this painstakingly compiled document will lead them to Halamajowa's house.
"We have the exact address," Maltz said. "We know where the train station and the post office were, the Jewish ghetto. I think we'll be able to find it. "There are not many diaries from this period my grandfather's diary is unique. It documents his coming out of hiding and seeing the ghost town after the war." On the eve of World War II, Maltz said, 6,000 Jews lived in Sokal, half the total population. When the war was over, 30 Sokal Jews remained; half of them owed their lives to Francisca Halamajowa. "I always knew that there was a very fabulous story sitting on my lap and that was the story of my family," Maltz said, adding that that's only a part of the story. "Part of my quest in this film is to find out why Francisca did it. I have conversations with her from the diary how she cooked for them and got rid of their wastes. And how she got fed up, tried to get rid of them she was human, after all and then reneged. She kept them."
In the end, Halamajowa and her daughter sheltered the Jews in the hayloft for 20 months. (And when the war ended, they learned that three other Jews had survived by hiding under the floorboards in Halamajowa's kitchen.) The documentary is about two families the rescued and the righteous. "Most of us children of survivors have known our story," Maltz said. "With children of rescuers, it is completely different. After the war, Maltz's family in America sent food and other necessities to Halamajowa but she never told her family where the huge boxes came from. "They could have known the story and been proud of it" all these years, Maltz said. "But they do remember her standing with her cane shouting at people" the angel with rough edges. Their memories will be included in the documentary. Three of Halamajowa's grandchildren immigrated to Connecticut, where interviews with them and some of the great-grandchildren have already been filmed. They were a traditionally religious Catholic family, Maltz said, hardworking immigrants who emphasized education for their children. Bird, who is not Jewish, told NJJN that she and the other filmmakers feel that the movie will tell "not just a Jewish story. It gets down to choices Moshe choosing to keep a diary, Halamajowa's choice to risk her own life and that of her family to save others." The film will also be about a legacy and another kind of choice what the families and descendants of survivors and rescuers choose to do with that legacy.
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