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New Jersey Jewish News The story of baseballs Designated Hebrew proved a tough pitch for NJ sportswriter
He wasnt Hank Greenberg. He wasnt Sandy Koufax. What Ron Blomberg was was the first designated hitter, an invention that made its major league debut on April 6, 1972. But Blomberg claims hes been a DH his whole life Designated Hebrew, that is. The Yankees made the Atlanta-born athlete the number one draft pick in the nation in 1967. He was hailed (and hyped) as the next Mickey Mantle, and in a sense he was. Like Mantles, Blombergs playing days were cut short due to injuries. Nevertheless, he became a popular figure with New Yorks Jewish fans.
He was recovering from a hamstring injury when Yankees manager Ralph Houk told him he would fill the role of designated hitter in the teams season opener against the Boston Red Sox. What do I do? Blomberg asked, unfamiliar with the responsibilities of the assignment. You just go up to bat four times, as if you were a pinch hitter, his manager told him. Blomberg walked with the bases loaded to drive in a run. To mark the historic occasion, his bat and jersey were sent to the National Baseball Hall of Fame and Museum in Cooperstown. It was an unusual artifact because its the only bat in the Hall of Fame because of a walk, said Dan Schlossberg, a Fair Lawn resident who collaborated with the ex-Yankee on Designated Hebrew: The Ron Blomberg Story (Sports Publishing LLC). For Schlossberg, his 31st baseball book was something special. Its different because its my first Yankee book. But certainly its the first book about a Jewish ballplayer Ive ever done, and its near and dear to my heart because of that. There are three audiences for the book, Schlossberg said: Jews, Yankee fans, and, because of Blombergs role as the first designated hitter, readers interested in baseball history. Schlossberg, who will be 58 on May 6 (The same age as Israel.) said his latest project proved a bit of a challenge. [Ron] is a great guy, he said, describing Blomberg as Lil Abner incarnate. Hes got a heart of gold, but his attention span is easily distracted. Their conversations were constantly interrupted by phone calls. In fact, while Schlossberg was speaking with NJJN, Blomberg was on another line. It was a lot of fun working with him, but it was really stressful. One problem that arises in collaborating with athletes is determining the veracity of anecdotes that seem to increase in drama and stature over time. Whether theyre simply the products of a faulty memory or mild (or not so mild) exaggeration, the writer has to guide his subject to the paths of truth. Schlossberg, a former Associated Press sportswriter, used a variety of sources to verify some of Blombergs recollections. Some of those sources disagreed because at the time he was interviewed by those people, he exaggerated also, or he didnt remember. His career wasnt that long; he should have remembered, Schlossberg laughed. The book was originally supposed to be written by sportswriter Phil Pepe and Marty Appel, who was the public relations director for the Yankees when Blomberg was on the team, Schlossberg said. They passed on the assignment because they thought Blomberg couldnt keep his focus long enough to complete the project. The editors then approached Schlossberg. I viewed it as a challenge, he said. He was right. The first attempt, to use football terminology, suffered from a false start. [T]he manuscript was rejected . They thought it was too superficial, barely skimming the surface. One of the reasons was because I interviewed only him; it was supposed to be an autobiography . He just wasnt forthcoming. Schlossberg went to work filling in the missing pieces. He interviewed Blombergs first wife, Mara, whom, coincidentally, Schlossberg knew from his days at Syracuse University. He also spoke with Blombergs son Adam, who is completing an anesthesiology residency at Harvard, and daughter Chesley, a sophomore at the University of Alabama. He also got a wealth of information from Sheldon Stone, a New Jersey-based attorney and Blombergs agent during his playing days. Once [the manuscript] was rejected, I was determined to go back to Ron after I interviewed all these other people, and I had a whole bunch more questions for him. It worked out pretty well in the end because he was much more forthcoming. The editor loved what I did, and now we have the book.
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